BAIXAR CD OCTAVARIUM DREAM THEATER

Special mention goes to keyboardist Jordan Rudess for his superlative performance on the minute prog rock epic “Octavarium”, nicely broken down into five sections. The intensity and heaviness reaches that of some of the better moments of Train of Thought. James LaBrie puts forth a fine performance on this piece, full of power and emotion. At 75 minutes, Octavarium is a very long CD. This disc may be Dream Theater’s most mellow outing since Falling into Infinity.

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There is even a cool vocal melody that is strangely evocative of Labrie’s work on Scenes From A Memory. The piece quitens down and closes on a fully orchestrated note, leading Petrucci to a climactic finale. It does contain some commercial moments as well as a good many ballady material, but careful repeat listens will attest to their wealth of melodies and meticulous arrangements. But program out at least the first two songs and you have one of the best albums of Octavarium Posted by Karl Jones on The riffing is intense and brutal, but Rudess once again softens things up with a playful, almost humourous piano melody. The amazing thing is that each album is quite different to the last but still has all the essential DT ingredients.

This disc may be Dream Theater’s most mellow outing since Falling into Infinity. Still, quality Dream Theater nontheless.

Rdeam program out at least the first two songs and you have one of the best albums of Octavarium Posted by Karl Jones on It shows Dream Theater are also capable of churning out melodic lead choruses and make it work.

Rather, it forges its own path, still unafraid to borrow any and all influences the band members may have had during the writing and recording of this album. There is even a cool vocal melody that is strangely evocative of Labrie’s work on Scenes From A Memory. It’s an interesting song to say the least, with some addicting hooks.

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Visit Our Friends At: Because whenever I did, as in the case with Six Degrees of Inner TurbulenceI had to eat my words upon discovering the album is actually ultimately rewarding given patient listens. On “The Answer Lies Within”, the band conjures up a ballad that is not too different from the material on Falling Into Infinityand the same can be said for the tehater prog-rock of ‘These Walls”, which does feature great vocals deam James LaBrie, octvarium keyboards from Jordan Rudess, and Mike Portnoy’s nimble drum fills.

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It begins with a great symphonic arrangement, acoustic instruments, folky flute sounds and violins before seguing into “Medicate Awakening “, complete with thick bass and drums, and a perfect balance of Genesis-like synths and Wakeman-like soloing by Rudess. For my taste, it’s the band’s finest album since Scenes From a Memory ; it’s certainly their most tuneful album in quite some time. Whether it was really written for the fans or not, however, remains a mystery, but who could blame him if it was?

Those were fantastic pieces of music while “The Root of All Evil” is just anticlimactic somehow. Each album throws up a concept that really makes you think, here its linked to the number eight.

cd dream theater octavarium

Jordan Ruddess really shines on these last two, perhaps more so than on any other material he has recorded with the band to this date. Well, they attempt it on the engaging “I Walk Beside You”, a catchy pop tune that really works on a commercial level, although I’m not sold on it being a great Dream Theater tune.

Dream Theater always cram a lot of music onto their albums and I long ago accepted the fact that their CDs can be a bit of an endurance test. Who would have ever thought that Dream Theater could combine prog-rock with U2 flavored pop sensibility?

Cd Dream Theater – Octavarium

The lyrics are as thought provoking as ever, and with each subsequent listen you start to pick up on thetaer threads running through the album which culminates in the magnificent title track which is never boring despite its thater minute duration.

The third part of the song, “Full Circle”, is also their bravest moment, also featuring mighty back-up singing by Petrucci and some quite aggressive vocals by Labrie.

The theatrical final section of the song brings to mind Gabriel-era Genesis, bleeding into “Intervals”, a short yet surprisingly heavy passage, laced with Metropolis 2-like spoken vocals, a chopped guitar riff drean awesome drum syncopation, not to mention Labrie’s most aggressive singing in his Dream Theater career.

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The song is also infused with some of eream most interesting vocals Labrie has put on tape. The last two songs on fheater CD are the two epics, the near minute “Sacrificed Sons” and the minute title track, both great examples of symphonic progressive rock, with hardly a sign of metal anywhere.

cd octavarium dream theater

Octavarium Dream Theater returns with their eighth studio album and in typical DT fashion, the latest release bears little resemblance to the album that came directly before it. Dream Theater’s latest release has had me excited just as much as it has had me puzzled since the day it came out.

cd octavarium dream theater

But the magnum tjeater here is without question the twenty four minute title track, a wonderful symphonic rock tour de force that gets my vote as Dream Theater’s finest epic ever.

Octavarium Posted by bmanikoth hotmail.

Consultoria do Rock: Maravilhas do Mundo Prog: Dream Theater – Octavarium []

Thaeter does contain some commercial moments as well as a good many ballady material, but careful repeat listens will attest to their wealth of melodies and meticulous arrangements. They did play lots of cotavarium stuff live, but on an album, this is the first.

One thing is for certain, Octavarium is a very different album from Dream Theater. Jordan Rudess really gets a chance to shine here as he never has before, with a fine Rick Wakeman like synth solo which in turn shifts over to a neat Genesis inspired instrumental arrangement.

By the time theatsr “Panic Attack”, Drea, getting hooked. But the first few songs are just so ordinary by Dream Theater standards in a “been there done that” sort of way that one might be tempted to hit the stop button before hearing the frankly outstanding compositions yet to come.